Opera Lafayette has announced Brown’s successor, appointing Patrick Dupre Quigley as Artistic Director.
Quigley is known for his engaging performances of historically-informed programming that draw in new audiences and delight regular concertgoers. A ceaseless advocate for a more inclusive concert experience, Quigley’s programs regularly span more than 1000 years of musical history. Through recordings, performances, and new editions, Quigley has championed the culturally relevant voices of Spanish Renaissance composer Tomas Luis de Victoria, the 11th century polymath and saint Hildegard of Bingen, and 18th century Cuban composer Esteban Salas y Castro. Quigley deeply respects music traditions outside the Western European canon and has developed concerts and collaborations highlighting the music of the Babylonian Jews, New Orleans’s Black Gospel tradition, Latin Pop, and the Baroque music of North and South America.
Recent and upcoming programs include Bach’s orchestral suites and violin concerti with the Orchestra of St. Luke’s and Gil Shaham at Carnegie Hall, Pergolesi’s Stabat Mater and La Servante Maîtresse with Opera Lafayette at the John F. Kennedy Center for the Performing Arts, a return to Chicago’s Music of the Baroque in the music of Purcell and Handel, conducting debuts with Canada’s National Arts Centre Orchestra and the Rhode Island Philharmonic, and scenes from Jean Philippe Rameau’s Castor et Pollux with Seraphic Fire.
Other guest conducting invitations have come from the Charlotte Symphony, The Cleveland Orchestra, Kansas City Symphony, Mobile Symphony, ARTIS Naples, the New Jersey Symphony, New World Symphony, Philharmonia Baroque Orchestra, San Antonio Symphony, San Francisco Symphony and the Utah Symphony.
Quigley, along with co-founder Joanne N. Schulte, established the indie-classical ensemble Seraphic Fire in 2002. The ensemble presents a full season of live concerts of historical and contemporary music in Miami-Dade, Broward, Palm Beach, and Collier counties. Seraphic Fire invests in its own local, regional, state, and national communities through its education programs running from 3rd grade through post-graduate level students. The ensemble has most recently commissioned works by Alvaro Bermudez, Sydney Guillaume, and Tawny Olson; and has given modern, regional, national, international, and recording premieres of contemporary and historical works by Hildegard of Bingen, Shawn Crouch, Susan Labarr, Thomas Luis de Victoria, Nico Muhly, Esteban Salas y Castro, Greg Spears, Christopher Theofanidis, and Ileana Perez Velazquez, among others. The Seraphic Fire Media recording catalogue contains 16 titles, representing diverse musical voices: Two titles have received Grammy nominations. The ensemble has also recorded with the international pop star Shakira.
Quigley holds an undergraduate degree in Music Theory and History from the University of Notre Dame, studying under Daniel Stowe, Alexander Blachly and Walter Ginter. Quigley studied conducting with Marguerite Brooks while earning a Master of Music degree at the Yale School of Music. He has assisted Michael Tilson Thomas in rehearsals, performances, and recordings at the San Francisco Symphony. Quigley is a native of New Orleans, Louisiana, and currently resides in Washington, D.C.
Lisa Mion is an accomplished arts executive with more than a decade of experience at Opera Lafayette, where she has played a pivotal role in the company’s artistic and organizational growth. After being promoted to Managing Director in 2021, Ms. Mion was recently named Executive Director. Throughout her tenure, she has overseen a diverse array of performances—from chamber works to fully staged operas—at venues including The John F. Kennedy Center for the Performing Arts, the Opera Royal at the Palace of Versailles, Jazz at Lincoln Center, Carnegie Hall, and the Brooklyn Academy of Music.
Over the course of her career, Ms. Mion has managed more than 100 productions, including international and regional tours spanning theatre, dance, and opera. Her experience also includes key roles with Rep Stage, Baltimore Choral Arts Society, Baltimore Shakespeare Festival, and Northern Sky Theater.
A leader in fundraising and donor relations, Ms. Mion has been instrumental in Opera Lafayette’s major gift, planned giving, and comprehensive campaigns, and has spearheaded the organization’s recent marketing initiatives. She is deeply committed to making the arts accessible to all, championing dynamic community engagement initiatives that connect diverse audiences with the power of live performance.
Natalie Rose Kress
Praised by the New York Times for her “splendid playing,” Natalie Rose Kress is a violinist based in Washington, D.C. She is the recipient of several prizes including the Jules C. Reiner Violin Prize from the Tanglewood Music Center, the Mercury Chamber Orchestra Fellowship, the English Concert in America Juilliard Fellowship, the US Embassy in Tanzania Diplomacy Grant, and the Chamber Music America Emerging Artist Grant.
She performs as a core member of Relic, Quartet Salonnières, Repast, and Musicivic Baroque and can be seen playing frequently with The Handel and Haydn Society, the Washington Bach Consort, The English Concert, and Opera Lafayette among others. She is currently pursuing a Doctorate in early music performance and pedagogy at the University of Maryland where she directs the Early Music UMD concert series and training orchestra. She performed the historic world premiere of Leonard Bernstein’s “Music for String Quartet” at The Tanglewood Music Center with members of the Boston Symphony Orchestra in 2021 and is featured on the first commercial recording of it released in 2023 by PARMA Recordings. Natalie attended Stony Brook University where she studied with Soovin Kim and The Juilliard School where she studied with Cynthia Roberts and Rachel Podger.
Kara Hess
Currently the Director of Finance and Operations, Kara has been with Opera Lafayette for over 6 years. She holds a Master’s Degree in Arts Management from American University, as well as two Bachelor of Arts degrees in Music and Music Business from Lebanon Valley College. An avid traveler, Hess spent a summer in Russia as a fellow with the Carmel Institute, studying museum culture at the Hermitage and a summer in Brazil as an Arnold Grant recipient, participating in a cultural exchange program teaching handbells. She currently volunteers as a grant reviewer for the DC Commission on the Arts and Humanities, and as an application reviewer for the National Parent Teacher Associations’s Reflections program. She also serves as fundraising Co-Chair for the Hershey Area Playhouse. Originally from Lancaster County, Pennsylvania, she enjoys playing piano and singing in community choirs in her free time.
Alexis Aime
Alexis Aimé, a passionate promoter for classical arts, has worked in artistic nonprofits including the YoungArts Foundation, Seraphic Fire, Opera Theatre of St. Louis (OTSL), and Opera Lafayette.
After receiving vocal performance degrees from both Oberlin Conservatory and the University of Maryland, Ms. Aimé performed a variety of soprano roles in houses and concert halls across the US and Europe. As her interest in casting, artistic planning, programming, and production grew, she transitioned from performer to Artistic Administration. After a successful term as Director of Artistic Operations and Planning at Seraphic Fire, a Grammy nominated choral ensemble specializing in early music, Ms. Aimé joined OTSL in 2022 where she worked in Artistic Planning. While working as artistic liaison and contractor for special events at Opera Theatre, she also generated the Festival Season schedule, planned and supported auditions and mainstage casting.
Ms. Aimé is excited to join Opera Lafayette as the Director of Artistic Administration where she will work closely with Artistic Director Patrick Quigley casting, contracting, and planning for upcoming productions. Merging her passion for underperformed works, collaborating with multiple artistic disciplines, and presenting opera in a new light, Ms. Aimé is delighted to join a company with such a rich history in developing such works and to continue that legacy in the future.
Accentuating her passion for casting and contracting, Ms. Aimé has also created her LLC, Artistic Consulting Advantage, where she works with multiple musical performance organizations and performers to further their artistic growth.
Emily Bidinger
Emily joined Opera Lafayette as the part-time Development and Box Office Associate in September 2023 after graduating from the College of William & Mary with a Bachelor of Arts degree in Music and History in May of 2023. In the spring of 2024, Emily also worked as the Publications Intern at the Wolf Trap Foundation for the Performing Arts. Since June of 2024, Emily has served as Opera Lafayette’s full-time Development and Communications Manager.
Today, Emily lives in Arlington and sings with the Arlington Chorale. In her free time, you can find her exploring new coffee shops, visiting museums, collecting vinyl records, and going to concerts. Emily has always known she wanted to pursue a career in the performing arts and is thrilled to begin her professional journey at Opera Lafayette, where she is certain her passion for music will continue to thrive.